lroger wrote:
Two more questions please.
1. I have AB800s and am looking for a quick and easy way to mount the PLM. The speedring mount option seems a little complex and time consuming -thumb screws, washers and wing nuts can get lost. If I order the Soft Silver PLM™ with On-Axis Speedring Mount (Convertible to 7mm Umbrella Mount), how would I configure it to use as a regular umbrella mount? Just slip the PLM’s 7mm umbrella shaft pole extension through the umbrella hole in the AB800 and tighten with the umbrella screw? How would this be different from ordering the Soft Silver PLM™ with 8mm Umbrella Style Mount? I guess I’m confused about the 7mm vs 8mm options.
There are a couple of options. First, there is nothing that requires the speedring, washers and wingbolt to be removed from the position shaft. Only that the position shaft be removed from the PLM. Second. You can semi permanently attach the 7mm rod and position shaft, but you will need to replace the top set screw with a longer screw to hold everything. The set screw included is not really designed for that task, and if tightened improperly will disassemble the PLM. If you do not want to assemble and disassemble, then go with the 8mm shaft variant. It will affect light no differently than the 7mm shaft.
lroger wrote:
2. If shooting portraits of older folks,would the white fabric PLM be better than the soft silver at minimizing facial wrinkles, lines, etc? I figure with the white PLM, I’d be able to use the PLM™ Black Front Spill Kill Fabric for the Japanese Lantern effect and move it very close to the subject for a very soft, wrinkle-killing effect.
Your expertise will be of great help to me.
This will be a by product of the size of PLM you use and how close you use it, and the direction in which it is aimed. Yes, you can get a shoot through very close, however, Paul was clever in the design of the PLM so that when properly attached, the 8mm shaft PLM does not protrude from the back very far, unlike many of the copy cat parabolics. The speedring version can be used with no rear protrusion. This was done to allow close proximity to the subject. The two larger PLMs should allow you to get sufficiently close. Also, texture comes from shadows, and shadows come from directional light (larger light sources offering more directions of light). Moving the light closer to the lens axis will help diminish the shadows (but also the dimension of the image).