You can place the Octa closer than the PLM (except in the shoot through version (which seems inefficient to me, and will throw light all over a room with reflective walls {and back on your subject/set}). Use the black back to avoid that, but it's a much slower setup.
Catchlight from a reflective PLM shows the Einstein, not so with Octa (you might get just ribs with the shoot-through PLM).
Edge light from the white PLM and black back cover is exquisite. I recommend the soft silver for younger faces, or those that benefit from enhanced edges, and definitely on-axis.
Smaller PLMs benefit most from speedring mount, larger... not so critical. Silver PLM likes the center mount even better than the white. Both are VERY nice. I have 84" White with Black covers for front and back. With cover on the back (giving convex illuminating face), you get the flattest light imaginable. Turn it around with the black back, and the edge is super sweet and feathers nicely on a background several yards away.
My favorite at this point for up to three "close friends" people (maybe four, with post tweaking) is the 54" white with black back, speedring mounted. Here's a gallery made with that and a grid on the black background (hand painted by moi). Oh and fill from a white wall about 8 feet opposite the main.
http://www.mlphotography.com/twmeyer/Pu ... index.htmlI just ordered a 47" Softbox, because setting a large third party softbox on an Einstein is labor intensive, and a little nerve racking. I have a custom made, very secure rig for my 37in Impact Deep Octa (the weight of both soft box and Einstein rests on the speed ring, not the Einstein mounting fingers).
viewtopic.php?f=8&t=2520Gives beautiful light but takes 20-25 min to set up. I use C-Stands
and weights for softbox/Octas. Wanted the Buff Octa for faster setup on location, will use the deep (slow) octa in-studio.
Tom